Each year SiriusXM’s Yacht Rock Radio reignites some ongoing, mostly playful skirmishes among radio people and music fans. Is “Yacht Rock” what the term’s creators define it as — ’70s/early-’80s soft rock with some element of R&B/jazz/disco fusion? Is it what SXM plays — a wider version of soft pop from the late ’70s/early ’80s? Why are we canonizing this music from pop music’s doldrums in the first place?
But if you’re eager to play along with that discussion, SXM has just launched Yacht Soul, as a pop-up format currently appearing on SiriusXM’s channel 105 through July 8, after which time it will remain available on the SXM app. The channel is hosted by George Benson, whose reminiscences about songs and artists are interspersed several times an hour.
The new channel is a reminder of R&B’s place at the center of yacht rock. However much weight you want to put on them at a fraught time for pop music, I’d rather hear Benson’s “Give Me the Night” or “Turn Your Love Around” than a lot of other hits from the same period. In turn, Benson, Quincy Jones, Al Jarreau, and George Duke & Stanley Clarke were chief among the artists who were able to cross over during the worst moments of the “disco backlash” that kept other great things happening in R&B away from pop radio in 1980-82.
Like SXM’s Yacht Rock Radio, Yacht Soul is a broad mix of mellow R&B from the same era. The hook promos include some things that seem defining (Dennis Edwards’ “Don’t Look Any Further,” Bobby Caldwell’s “What You Won’t Do for Love,” Chaka Khan’s “Through the Fire”) and others that feel less likely (Evelyn King’s “Love Come Down,” Diana Ross’ “Love Hangover,” Natalie Cole’s “Sophisticated Lady”). Chances are you just disagreed with at least one of my characterizations. Such is the discussion.
Here’s Yacht Soul at 9:30 a.m. on July 3:
- Fourplay, “101 Eastbound” — early ’90s instrumental that seems like more of a fit for Smooth Jazz
- Brothers Johnson, “Strawberry Letter 23”
- Quincy Jones f/Patti Austin, “Something Special”
- Kool & the Gang, “Too Hot” — preceded by a vignette of George Benson talking about witnessing the band’s ascent
- Brenda Russell, “New York Bars” — her hits (“So Good So Right” and “Piano in the Dark”) were nearly a decade apart, in 1979 and 1988; this is from a 1983 album
- Bill Withers, “Lovely Day”
- Patti Labelle, “New Attitude”
- Manhattans, “Shining Star”
- Average White Band, “School Boy Crush”
- L.T.D., “Love Ballad” — Benson talks about hearing the original for the first time: “One of the best songs I ever heard.” Later, he would have a 1979 hit with his own uptempo version
- Atlanta Rhythm Section, “So Into You” — It did crack the R&B chart (No. 93) in 1977. Not the hit single, but what sounded like a longer album version
- William DeVaughn, “Be Thankful for What You Got” — 1974 hit that seems prescient in this context
- Bee Gees, “How Deep Is Your Love”
- Lionel Richie, “All Night Long (All Night)”
- El DeBarge, “Someone”
- George Benson, “This Masquerade” — Benson talks about not knowing the Leon Russell original, or Russell, when the song was brought to him, and his initial reluctance to cover it, or include a vocal on the Breezin’ album
This story first appeared on radioinsight.com