ASIA

Radio, audio and technology conferences and trade shows are back in a big way for 2023 with growing numbers expected after a quieter couple of years.ABU Digital Broadcasting Symposium, Kuala Lumpur, March 6-9 is back as an in-person event after a break of two years.The DBS2023 event will address challenges, find solutions and share experiences related to digital transition, technology implementation, creative content ideas, and enhancing user experiences.

Radioinfo will cover this conferenceABU-Rai Conference, Florence, March 13-14Hosted by the Italian Public Service Broadcaster, RAI, this conference for Public Service Media will be answering questions such as:
How do PSMs use the lessons of the past few years, and take positive steps towards a sustainable future in content, technology, and resources?
What models have broadcasters around the world trialled and implemented, and how they have been received by staff and the public?
How to best explain the risks of unsustainable lifestyles and promote change among our audience through news, programs and editorial offerings, with projects, media partnerships, and joint action?
Radioinfo will cover this conference

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Radiodays Europe, Prague, Mar 26-28Radiodays Europe is a major event in the Radio, Podcast and Audio World bringing together over 1,500 visitors from 65 countries over 3 days.The event is organised into sessions including keynote speeches, panel discussions, interactive sessions, summits, workshops and networking events.The conference this year starts at 9.00am on Sunday 26th March with the Free Radidoays Europe Inclusive (formerly Radiodays Europe Women), event followed by three Summits on the Sunday afternoon: Youth, Podcast and Data Research.Radioinfo will cover this conferenceNAB Show, Las Vegas, Apr 15-9 will mark the centenary of the NAB.In 1923, 16 radio stations met in Chicago for the first organisational meeting of the National Association of Broadcasters.The NAB Show is the world’s biggest trade fair for audio and vision and there will be radio and audio focused sessions incorporated into the NAB Show.All 2023 New York Festivals award winners will be celebrated at the NYF Storytellers Gala taking place on April 18th during the NAB Show.The RAB RadioShow that used to be held in the latter part of the year is now incorporated into the NAB Show.MPTS 10 –11 May 2023, London The Media Production & Technology Show 2023 is the UK’s largest event for the broadcast media, production and technology industry.It returns in 2023 for a sixth show and aims to welcome back visitors from around the world with an expanded line-up of compelling speakers, content and new exhibitors.2022 saw a record number of over 300 exhibitors and 8,000 attendees from 40 different countries.This year MPTS returns with a special focus on interactivity, encouraging visitors to learn and discover the latest technologies and future trends in audio, remote production, lighting, post, sports broadcasting and virtual production.KOBA, Seoul, May 16-19, the 31st Korea International Broadcasting, Media, Audio & Lighting Show.KOBA is going to be presenting the next generation’s broadcasting services and the future of the image, sound and lighting industries.More than 80 international broadcasting technology conferences will be hosted by KOBETA (The Korea Broadcasting Engineers &Technicians Association).Sound-related seminars held by technical experts will be organized by KASA (Korea Association of Sound Artists) and the Acoustical Society of Korea, will provide an opportunity to acquire specialised information regarding sound and broadcasting systems. In addition to that, a wide variety of events are planned.Broadcast Asia, Singapore, 7-9 June.Billed as Asia’s largest broadcast technology stage, this conference brings together the most influential regional broadcasters, media and entertainment professionals.This allows broadcasters to
Get insights on industry and technology trends impacting Asia’s broadcast and media landscape
Network and reconnect with industry peers
Discuss the future of broadcast and the strategies to move forward
Source for the latest next-gen broadcast technology from a marketplace of global vendors
IBC, Amsterdam, 15-18 Sept.Next to the NAB Show, this is probably the 2nd biggest trade show in the world.IBC sits at the global crossroads of the media, entertainment and technology industries providing an informative, innovative and beneficial experience for all attendees.Always at the forefront of industry innovation, IBC attracts industry pioneers from more than 150 countries, with exhibitors taking advantage of a truly unique gathering of the best and brightest networkers, buyers, innovators and leaders.In 2022, over 37,000 visitors from 170 countries visited IBC.Radiodays Asia, Kuala Lumpur, September TBAWRC, Dubai, Begins 20 NovemberWorld Radiocommunication Conferences (WRC) are held every three to four years to review, and, if necessary, revise the Radio Regulations, the international treaty governing the use of the radio-frequency spectrum and the geostationary-satellite and non-geostationary-satellite orbits.Revisions are made on the basis of an agenda determined by the ITU Council, which takes into account recommendations made by previous world radiocommunication conferences.WorldDAB Summit 2023 will probably be in the latter part of the year. The 2022 Summit was held in November.The CBAA Conference is tentatively set down for 16 –  18 November at a venue TBA.The ACRA’s will be in Sydney on October 14 at the ICC, but at this stage there has been no decision on the CRA conference for 2023.  […]

As part of its continual efforts to deepen engagement with audiences, Mediacorp will roll out refreshed logos for its suite of digital, free-to-air and audio platforms and products on 1 February 2023.The new visual identity will consist of Mediacorp’s “M” prefix featured prominently in the individual logos, each rendered in a sleek, single or dual-colour scheme. This eye-catching design aims to drive all audience interactions and communications back to the main Mediacorp brand, strengthening its collective presence and showcasing the extensive reach of the entire media network through a harmonised and unified look.In keeping with the rich heritage and strong brand equity Mediacorp has built over the years, the core design of each individual product has been retained but updated using a bold approach for maximum impact in today’s digital-first environment. This has been achieved by streamlining the logos using a modern and mono- or dichromatic 2D effect, while maintaining the composition and colour palette of the products – signalling Mediacorp’s continual evolution in staying ahead of new trends and technologies, while staying true to the brand that audiences are familiar with.Together with the refreshed logos, Mediacorp will also be introducing the Mplifier, a new set of graphics to further amplify the association between the Mediacorp brand and its products. The Mplifier – a stylised upward-pointing arrow forming half of Mediacorp’s “M” prefix that is meant to convey the brand’s constant strive for progress – will be applied consistently across all platforms, communication channels and marketing materials as a unifying visual cue for Mediacorp’s products.Oliver Chong, Head, Marketing & Communications, Mediacorp said: “The bright new design of Mediacorp’s refreshed logos is a visual representation of our purpose as the national media network in delivering new experiences and compelling content built around our audiences’ consumption preferences.”Added Mr Chong: “The design is fresh and familiar at the same time, achieving the best of both worlds – driving a consistent overall brand narrative, yet retaining the robust brand equity we have nurtured over the years. We hope the collective impact of the logos will reinforce Mediacorp’s role in engaging audiences across all touchpoints in their lives, and convey our constant efforts to connect deeply with our communities.” To familiarise audiences with the fresh look, the logos will be soft launched on 16 January via on-air channel bugs, as well as via GIFs and videos across the respective social media platforms. These animations will depict the transition to the new logos, before the visuals are officially launched on 1 February. […]

New York Festivals® 2023 Radio Awards has announced the Grand Jury.“We look for wide experience, demonstrated achievement and geographic diversity in our jury members as a way of quantifying fairness in the selection process. All of our Grand Jury members volunteer their time and are award winners themselves,” said Rose Anderson, SVP, Executive Director, New York Festivals Radio Awards.This year’s powerhouse Grand Jury of prominent international radio industry executives represent 19 countries on 6 continents. Populated with some of the most respected content creators, industry thought leaders and most recognizable voices in the industry, these 100+ directors, producers, journalists, writers, and sound artists embody passion and innovation for audio information and entertainment. The 2023 panel’s stellar reputation and diverse areas of expertise across ensure that this peer-judging process provides each entry with the attention it deserves.Emanating from some of the most prestigious and respected companies worldwide, these leaders champion innovative storytelling in news, documentary, entertainment, sports, and corporate image.The impressive roster of companies our jurors represent include SiriusXM, BBC, Radio Mitre S.A., Canadian Broadcasting Corporation, HarperCollins Publishers UK, Radio-Canada Ohdio, Talkers Magazine, Accompany Studios, Bioneers, TBI Media, Penguin Random House UK, Magnum Opus Broadcasting, NASA/JPL, Radio City, New York Philharmonic, Radio New Zealand, CliffCentral, Southern Ocean Media, TBI Media Ltd, and Clare FM.Grand Jury Members include:
Richard Baker, Founder/Director, Southern Ocean Media – Australia
Andrew Biggs, Imaging Producer/Director, Eyesound – New Zealand
Benoit Bories, Director/Producer, Faïdos Sonore/Créations sonores – France 
Olya Booyar, Head of Radio, Asia-Pacific Broadcasting Union – Malaysia
Rina Broomberg, Director, CliffCentral – South Africa
Paul Bushnell, Aukland Manager, Radio New Zealand – New Zealand 
Diego Cannizzaro, Owner & Director, DMC Studio – Argentina
Jennie Cataldo, Owner & Producer, Accompany Studios – USA
Chris Colbert, Chief Executive Officer, DCP Entertainment – USA
Juan Pablo Cordoba, Productor Artístico, Radio Mitre S.A. – Argentina
Nick Davis, Executive Director, Engagement & Inclusion, Canadian Broadcasting Corporation – Canada
Padraic Flaherty, Head of Operations & Group Program Director, Clare FM – Ireland
Rebecca Fortuin, Senior Audio Editor for HQ, M&B and Farshore, HarperCollins Publishers – UK
Michael Freedman, Professorial Lecturer – Journalism, Executive Producer – The Kalb Report & 113th President – National Press Club, The George Washington University & National Press Club – USA
Gary Haberfield, Managing Director/Executive Producer, Spiteful Puppet Entertainment – UK
Dylan Haskins, Commissioning Executive for Podcasts, BBC Sounds & BBC Radio 5 Live – UK
Caroline Jamet, General Manager, Radio, Digital Audio & Greater Montreal Radio-Canada – Canada
Geoff Jein, Head of Audio, TBI Media Ltd – UK
James Keyte, Head of Audio Content, Penguin Random House UK – United Kingdom
Götz Naleppa, Drama Director & Sound Artist, Naleppa Audio Productions – Germany 
Steve Levine, Owner & Producer, Magnum Opus – United Kingdom
Astha Mandiratta, Head Client Solutions, Network18 – India
Siobhan McHugh, Associate Professor of Journalism, University of Wollongong – Australia
Leslie Mullen, Producer, NASA/JPL – USA 
Anurita Patel, Vice President, Zonal Programming & Audacity, Radio City – India
Helen Quigley, Head of Production, B7 Production Limited – UK 
Des Shaw, Co-Founder, Zinc Media – UK
Helen Shaw, Founder/Director, Athena Media – Ireland
Lou Simon, Vice President, Music Programming, SiriusXM Radio – USA
Fyona Smith, Managing Editor, Today FM, Bauer Media Audio Ireland – Ireland
Mark Travis, Director Media Production, New York Philharmonic – USA
Carole Zimmer, Journalist & Host, “Now What?” – USA
To view the entire 2023 NYF Radio Awards Grand Jury visit, HERE.The NYF Radio Awards Grand Jury members view all entries during online judging panels to determine a score based on industry specific criteria. Juries determine Gold, Silver, and Bronze Trophy and Finalist Diploma Winners. The top-scoring entries are honored with the Grand Trophy.  Special Industry Awards honor Broadcaster of the Year and Production Company of the Year.The newly unveiled National Press Club Award will go to the highest scoring entry in the following news program categories: Best Coverage Of Breaking News Story, Best Coverage Of Ongoing News Story, Best Nonfiction Series and News Podcast.The New York Festivals Radio Awards 65-year legacy provides a showcase to celebrate world-class storytellers from around the globe.  Since 1957 the competition has celebrated innovation and excellence in broadcast audio content across all genres and platforms keeping pace with industry developments and global trends.  All entries within the competition are judged by international panels of award-winning creative professionals who are respected within the broadcast industry.The entry deadline for the 2023 Radio Awards competition is January 31, 2023. To enter please visit: HERE, for additional information visit:Rules and Regulations and 2023 Radio Awards Categories.All 2023 award winners will be celebrated at the NYF Storytellers Gala taking place on April 18th at the 2023 NAB Show Centennial in Las Vegas. This is the 13th year of New York Festivals strategic partnership with NAB.To view the 2022 NYF Radio Award winners showcase, visit: HERE. […]

Tieline has released their highly anticipated HTML5 TieServer Web Console management tool.The TieServer Web Console is used to register networked codecs to a TieServer domain and configure and control Report-IT user accounts.The new HTML5 TieServer Web Console delivers an improved layout and more efficient control of Tieline devices connected to TieServer. It is available for a low annual subscription and provides several benefits, including:
The ability to easily configure, view and manage large numbers of codecs, sharing servers and Report-IT user accounts.
Access to VIP-Connect which delivers an automated login authentication process to assist talent and guests to log in by sending them a unique VIP-Connect URL.
Existing customers can visit www.tieserver.com to use the updated HTML5 browser with the same login credentials as the old Java Web Start version of the TieServer Console. This landing page also provides a link to access to the old Java version.New customers can try the TieServer Web Console by requesting a two-week Cloud Services demo at www.tieline.com/register.The TieServer Console app for iOS and Android is still available as a free download to set up and manage a small number of Report-IT user accounts.For more information visit www.tieline.com/products or contact Tieline sales: […]

Content from BPRWhen was the last time you heard a radio listener say that they were passionate about a radio station that they listen to? Probably not as frequently as one would like. Many factors can cause a decline in listener passion. One of them is the strict adherence to format rules and structure. Highly formatted stations leave little room for spontaneity. In fact, spontaneity is often discouraged and considered to be a “deviation” from the format. Whereas a format can provide a station’s programs with structure and direction, it can also prevent on-air performers from being creative and using their talent as a means to connect with listeners.I recall specific instances when a program director praised me for properly executing a format and in turn discouraged me from developing a persona within that format.  Of course, not every presenter has the ability to be spontaneous and creative. However, strict adherence to the format leaves little or no room for growth on the part of the presenter.Next time you conduct a listener focus group ask the question “Do you like to listen to a station whose presenters are highly predictable and talk about the same things from one day to the next?” Chances are that few listeners will respond in the affirmative.The element of freshness is fundamental to human communication. People who say and do the same thing all the time are boring. Interesting people offer us ideas and observations that are fresh and new. Talk radio is founded not just on information but opinion and insight as well. Without it, talk radio would wither on the vine. To a degree, the same applies to other formats. Listeners want to be surprised. This does not mean that listeners want to be shocked or offended but rather that they want to be exposed to new ideas, thoughts and observations.People are passionate about things that excite them and stir their imagination. Unfortunately, modern day radio too often fails in this respect. As entertainers and informers, we must be prepared to present our audiences with programs that offer both consistency and imagination.  Otherwise, they will go elsewhere maybe even leave radio altogether.Passion is contagious. Repetition does not create passion, creativity does. As has been said many times, “If what you’re doing isn’t working try something new.”By Andy Beaubien, BPR […]

Comrex is now shipping BRIC-Link III. Debuted at NAB 2022, the latest model in its popular cost-effective IP audio codec line features a new, more powerful processor for improved reliability in addition to enhanced front panel indicators, including four buttons which will trigger contact closures by default and are configurable for auto-connections to other Comrex IP audio codecs.BRIC-Link III includes CrossLock VPN technology, Comrex’s proprietary suite of reliability tools which offers an expanded array of techniques including improved congestion detection, redundant transmission, forward error correction, and deadline-sensitive retransmission. Plus, with the ability to use multiple IP networks for increased bandwidth in addition to the intelligent monitoring and dynamic adjustment of data packets, CrossLock optimizes audio for transmission over the public Internet and provides peace of mind to broadcast engineers.With a suite of encoding algorithms including stereo and mono linear mode, FLAC modes, AAC/HE-AAC modes, Opus, G.722 and G.711, BRIC-Link III can accommodate a wide variety of applications. BRIC-Link IP audio codecs are commonly used in home studios, as STLs, for voice-over delivery, for sportscasting, and for many other situations that require point-to-point connections. With additional operation modes like HTTP and IP Multicast, BRIC-Link III can alsofunction as a streaming server or send audio to multiple locations (depending on network bandwidth), making it an incredibly versatile hardware codec with an entry-level price point.BRIC-Link III is compatible with all other Comrex IP audio codecs, including the ACCESS codec line as well as older BRIC-Link models. It also includes EBU 3326/SIP mode for interoperability with third-party manufacturer codecs.BRIC-Link III works with Comrex Gagl, a new service now available for remote contribution. Gagl turns any Comrex IP audio codec into a hub for up to five participants. […]