ASIA

Taliban inaugurates three new stations in Herat, Afghanistan

The Taliban launched three radio stations – “Shariat Voice,” “Omid Voice,” and “Horiat Voice,” in Herat province last week, according to a spokesperson for the provincial governor’s office.Nisar Ahmad Elyas, the spokesperson, announced that senior local Taliban officials attended the inauguration ceremon.During the inauguration, Muhajir Farahi, the Taliban’s Deputy Minister of Publication in the Ministry of Information and Culture, emphasized the importance of media in the current era.“No one can ignore the media in the ongoing era,” Farahi stated, advocating for national and domestic media organizations’ access across Afghanistan.Elyas highlighted that Herat is home to at least 28 active media organizations, including television channels and radio stations.Interestingly, this development comes amid reports of increasing restrictions on the media by the Taliban.The Taliban governor’s office in Kandahar recently directed departments to avoid filming during meetings, labeling it as “a major guilt,” while the intelligence department in Khost province has instructed local media to disengage from facilitating contact with female audiences.Last month, two private radio stations – Shamla and Dehkada, were temporarily closed by the Taliban municipality on March 10 in Ghazni province in Afghanistan.Photo: Amu TV […]

ASIA

Radio Televisyen Malaysia celebrates 78 years

Radio Television Malaysia (RTM) celebrated its birthday on April 1, marking 78 years of commitment towards excellence in informing, educating and entertaining generations as Malaysia’s first broadcaster.In 1946, broadcasting in Malaysia began with the establishment of Radio Malaya. In 1963, the country’s first television network, TV1, was launched, followed by a second channel TV2 in 1969. Both radio and television networks were subsequently merged as the broadcast arm of the Ministry of Information and renamed Radio Television Malaysia (RTM).RTM operates from its headquarters in Angkasapuri, in the Malaysian capital of Kuala Lumpur. RTM’s radio broadcasts are in Malay, English, Mandarin, Tamil and native dialects, reflecting the country’s multicultural diversity.It currently manages six television stations and 34 radio channels throughout the country.ABU Secretary-General Ahmed Nadeem wished RTM a happy anniversary: “On behalf of ABU, I extend our warmest congratulations to RTM on its 78th anniversary. As the pioneering beacon of broadcasting excellence in Malaysia, RTM has not only shaped the nation’s media landscape but also contributed significantly to the region’s broadcasting heritage. Here’s to many more years of innovation, diversity, and public service broadcasting. May RTM continue to inspire and enlighten audiences across Malaysia and beyond, serving as a steadfast guardian of information, culture, unity and national identity.”Prime Minister Datuk Seri Anwar Ibrahim expressed hope that Radio Televisyen Malaysia (RTM) remains a catalyst for change and continues to uphold quality and fact. In a brief Facebook post, he also said that the country’s oldest broadcaster would remain the voice of the people. […]

ASIA

Saudi Arabia’s MBC LOUD FM launches new breakfast show

MBC LOUD FM, Saudi Arabia’s first English commercial radio station by MBC GROUP, announces the launch of its new breakfast show, set to debut this April.MBC GROUP is the largest and leading media organisation in the Middle East and North Africa.“The Byron Cooke Show, with Sana K” features MBC LOUD FM’s newest appointments – internationally renowned radio presenter Byron Cooke, and emerging GCC-based talent Sana Kothari. The show – scheduled to launch on Sunday 28th April 2024 – will broadcast live on MBC LOUD FM from 6 to 10am Sunday to Thursday, and 10am to 12pm on Saturdays.MBC LOUD FM’s current breakfast show, “The Daily Wake Up” with Jay R and Danah will be moving to the Weekday Drive time slot from 4pm, with details on the full line-up to be revealed soon.Alex Agishev, Head of Content for MBC Loud FM, stated: “We can’t wait to launch ‘The Byron Cooke Show, with Sana K’ on MBC LOUD FM.  Byron is a world-class personality, with an incredible ability to connect with local audiences, whether it’s through engaging content or live, on ground broadcasts. Sana is an exciting new GCC talent, a prolific content creator and together with Byron, will provide an entertaining start to the day for Saudi Arabia  on MBC LOUD FM.”A winner of the International Radio Personality of the Year Award at the Worldwide Radio Summit (WWRS) in Los Angeles, Cooke is a highly experienced and respected broadcaster having worked in major markets across Australia, the United Kingdom, and the USA.Most recently heard on breakfast at KIIS 101.1 in Melbourne, Australia, Cooke has worked  on top-rating shows at 101.9 The Fox Melbourne and across the Hit/Triple M Networks nationally. Other global roles include a stint on XFM London, Indie 103.1 Los Angeles, and the launch of his own unique commercial FM radio format in Northern California – the X 103.9 Revolution – in 2006.In addition to winning multiple Australian Commercial Radio Awards, Cooke was also named a Podcast Host/Presenter of the Year Finalist at the Radio Today Podcast Awards in Australia for his independently produced weekly podcast in 2021.Commenting on his signing with MBC LOUD FM, Cooke said: “Saudi Arabia is the world’s fastest-growing expat market and MBC LOUD FM is the Kingdom’s first English commercial radio station. To say I’m excited would be an understatement. Cue the Ronaldo goal celebrations!”Joining Cooke as co-host on the new show is Sana Kothari, an emerging talent who was discovered in a nationwide search to find new radio talent on Virgin Radio in the UAE.A culture-focused and personality-driven presenter, Kothari is always on the hunt for a good story. Born and raised in Belgium before living in New York, Paris, and Dubai, her work in media has ranged from digital to print through experiences as a content creator and presenter for several of Dubai’s New Media Academy projects, as well as a newsreader, reporter for the Arabian Radio Network (ARN).Speaking of her signing, Sana said: “I’m so excited to be joining the team at MBC LOUD FM and teaming up with Byron to bring a vibrant new sound to the Saudi Radio landscape! I’m looking forward to exploring a new culture, trying every local dish I can find, and adding Arabic to my resume.”MBC LOUD FM’s current breakfast show, “The Daily Wake Up” with Jay R and Danah will be moving to the Weekday Drive time slot from 4pm, with details on the full line-up to be revealed soon. […]

ASIA

ENCO DAD Radio Workflow Brings Automation and AI Together

ENCO is building on its legacy of radio automation leadership with the direct integration of AI and cloud toolsets into its DAD automation workflow. At NAB Show 2024, ENCO will show how built-in WebDAD functionality simplifies and improves on-air and production workflows by extending DAD’s reach to more places through a scalable and affordable architecture. ENCO will also unveil the integration of AITrack for voice tracking and dynamic content insertion within the DAD and WebDAD architecture. ENCO exhibits at Booth W1743.ENCO’s WebDAD platform extends the DAD universe in a more streamlined manner, allowing users to manage and control studio based ENCO DAD radio automation systems from anywhere. Offering remote access for everything from uploading content and modifying playlists to voice tracking, WebDAD enables flexible remote working models for broadcasters by letting users efficiently manage their on-air and production operations even when personnel isn’t physically in the station’s facilities.ENCO has added several new features to WebDAD that better align the user experience with traditional DAD systems. Top of this list is the addition of DAD’s familiar Presenter on-air interface, providing remote WebDAD operators with the same live assist interface users enjoy in the on-air studio. WebDAD also now offers more granular control over user permissions, including controlled access to libraries, functions and systems; and added support for third-party accessibility, simplifying usability for people with impairments or disabilities.“WebDAD’s expanded capabilities elevate it beyond being a reliable remote access tool,” said Ken Frommert, President, ENCO. “Visitors to our NAB booth will see first-hand how WebDAD now packs the power of DAD into a lighter platform, with the flexibility to control their on-air systems within the local studio or in the cloud from a web browser. We are actively turning the broadcaster’s local DAD infrastructure into a global on-air and production network. With WebDAD’s lightweight, studio-ready feature set, we also see opportunity to slim down the in-studio automation infrastructure as we deepen its integration within DAD’s framework.”ENCO will also demonstrate the benefits of using AITrack, one of two AI applications that ENCO previewed last year at NAB, as part of the DAD and WebDAD workflow. Introduced as a simple automatic voice track application, ENCO has evolved the AITrack universe as a multifaceted AI production toolset. Users can now pre-schedule and customize automated voice tracks that use synthetic voices to produce natural-sounding, engaging content between songs. AITrack also amplifies the on-air experience, providing instant turnaround for dynamic insertions of breaking news, weather, sports and more into live broadcasts. Operators can also create and schedule unique content, such as summarizing earlier shows or giving a detailed introduction of future song blocks, within DAD for playout at specified times.“Making AITrack a genuine part of the automation workflow means that our customers can deliver engaging content in any daypart and at any time, whether pre-scheduled or conceived in the moment,” said Frommert. “In addition to voice tracking and scheduling common on-air events such as song intros, station IDs, sports scores and weather forecasts, AITrack makes it easy to inject more creativity into the broadcast. Whether pre-scheduled or dynamic, AITrack leverages generative AI models and synthetic speech engines to provide engaging content for listeners in new and exciting ways, and without a heavy lift on the production side. AITrack essentially assumes the role of the AI DJ.”ENCO will also demonstrate its SPECai solution, which leverages generative AI models to create spec ads with human-sounding voices within seconds. NAB Show 2024 takes place April 14-17 at the Las Vegas Convention Center. […]

ASIA

Why Radio Stations Fail

Content from BPRIt’s heart-breaking for a programming team to put an extraordinary amount of hard work into a station only to be the cellar dweller survey after survey.It’s equally soul destroying to have a once great radio station fall from the dizzying heights of market leader to being absolute last.Now, there are some specific reasons why radio stations fail to attract an audience or lose an audience they once had. There are certain things that they seem to overlook, ignore or push aside, all the while leading them on the path to becoming just another sad piece of radio history.This list is certainly not finite….. I’m sure there are many other reasons we could include but these are the main ones that I’ve witnessed time and time again that are common in a variety of markets.
Lack of strategic planning. The first step involves defining the target audience and that is dependent on the individual characteristics of each market. Once you know which group of listeners you want to attract you then uncover what they want from their favourite radio station, whether those needs are currently being serviced, by whom and how well. For a music station, its also asking the listeners what they want to hear …. firstly the overall genres of music (a Music Map study) and then the appeal of the individual songs. Without strategic planning you’re relying on guesswork and this means that you’re probably not in touch with your audience.

Poor execution of a great strategy. We’ve all heard it….. that badly crafted music log – individually, the songs are good but there’s clumping of genres and tempo….the Morning Show that has the ability but lacks direction….the tactic that is too convoluted for the listeners to even bother to understand.

No USP. This should be part of the strategic planning process. However, many programmers THINK they can go into battle with an incumbent station with a virtually identical format because “I can do it better”. Perhaps you can, but if the listeners don’t hear a HUGE difference between their current station and yours….. why would they leave that station? 

Talent……or lack of. Again, with reference to the preceding paragraph, in many instances in crowded markets, your talent will be your only USP. Even in less competitive markets, if you’re in a personality battle and your talent is only average then you will have a problem getting any market traction. If your position is “more music, less talk” then your talent MUST adhere to this rigidly. If their talk breaks are too long and not entertaining…. because they like hearing the sound of their own voice…then they are average talent. And this leads me to #5.

Failure to adhere to your brand promise. I’ve covered this in another article “Are You Keeping Your Brand Promise”. Listener loyalty begins with trust……. they believe you will do what you say you’ll do. If you’re the More Music station, then you better be playing more music per hour than every other station in the market…. otherwise, you’re breaking your promise. If your position is Great Classic Rock, then you had better be playing the GREAT classic rock songs…. the ones your target audience loves.

Lack of discipline. A lack of discipline will not only prevent a station from being successful but it can also cause a successful station to drift dangerously off course. Often all the hard work and strategic thinking that initially went into creating what became a #1 radio station can, over the years, be diluted through a lack of discipline or complacency……that song on air that doesn’t test that well with the audience, “but hey I’m the PD of the #1 station and I like it!”…..that annual contest that goes to air every year in the same way with the same mechanic to the point the listeners think you’ve become too predictable……the Morning Show that has lost its spark but being #1 “don’t need to be told how to do their job”. When a new and direct competitor appears in the market, the incumbent market leading station should attack itself….look for weaknesses in the product and, where possible, fix them immediately. Always remember the strict disciplines that made you successful in the first place.

Failure to communicate value propositions clearly. You must tell that listeners what your station is all about…. the essence…..in a clear, concise and compelling manner. Too often, the exact opposite occurs and the audience just doesn’t get what you stand for. Then there’s the internal communication issues as well whereby those who are responsible for implementing the strategy do not completely understand the essence of it. 

Failure to keep abreast of changes in the listeners’ tastes. The strategic plan must continually evolve. Listeners tastes change over time….. Zapoleon’s Music Cycles is one great example. The pandemic and recent global events mean that news and information categories are now more important programming priorities than they once were. Ongoing market research is the only way for a station to get to the top and remain there.
There are others which I won’t elaborate on but include an outdated business model, technology that has passed you by (think AM music stations in major markets), pressure on revenue results in poor programming decisions, loss of key talent to a competitor etc.The majority of the above can be avoided……plan strategically, execute with precision, think objectively and continually ask your listeners for their opinions. […]

ASIA

Podcast and audiobook listening at all time highs: Infinite Dial Report 2024

The 2024 Infinite Dial Report for Edison Research has been released, and shows the percentage of Americans who listen to podcasts, audiobooks and ‘online audio’ is at an all time high.The percentage of the US population 12+ that has ever listened to a podcast continues to rise consistently, as the medium continues to mature:Meanwhile, this growth in exposure is translating into habits being increasingly formed, with 34% now listening to podcasts weekly – well above the covid-induced highs of 2021 and up from 31% in 2023:How many episodes are weekly podcast listeners consuming every week? Over 1 per day, with females consuming more than males at 9.5 per week:Audiobooks are also at all-time highs, with more than 38% of Americans consuming them in the past year, as they continue to see broader uptake by audio apps such as Spotify:In the fairly nebulous category that Edison classifies as ‘online audio’, which mostly covers music streaming apps, all time high listenership is also reported. Here, you can see that Spotify is dominating younger demographics, while YouTube Music is competitive in older markets:Infinite Dial also covers social media usage, given its ever-growing importance to audio marketing and distribution. Having reached maturity, Facebook continues to plateau – while Meta’s other key platform Instagram is no longer growing either. TikTok stays in third place, while Linkedin continues its unlikely steady rise.Also clear is that X, formerly Twitter, has seen its usership crater to levels it hasn’t seen in 5 years after its messy acquisition and restructure by Elon Musk:Finally, here we can see the that the generational divide for social platforms is stark – with Facebook totally out of favour with younger users who favour Instagram, TikTok and Snapchat. There are also signs that TikTok is beginning to ‘age up’, with evidence of adoption in the 35+ demographics:Read the full Infinite Dial report here. […]