AU & NZ

From Howard Stern to Christian O’Connell: Sarah Juchima joins GOLD104.3

Sarah Juchima (formerly Faour) has joined GOLD104.3‘s Christian O’Connell Breakfast Show this year as Show Director.Sarah is no stranger to the Australian radio industry, bringing a wealth of experience to the role. She has an impressive track record working on shows including Hughesy & Kate and The Hot Breakfast.She also spent several years in New… Read More
The post From Howard Stern to Christian O’Connell: Sarah Juchima joins GOLD104.3 by Staff Writer appeared first on Radio Today. […]

AU & NZ

The art of the voice over: Meet the AFTRS team who bring scripts and dreams to life

“I’ve always been keen to lift the lid on an industry that can seem a bit ‘closed shop’ to people who are interested.”Yannick Lawry is busy preparing for one of his favourite pursuits: teaching the Voice Over Workshop at Australian Film Television and Radio School (AFTRS) this month.An AFTRS short course alumni himself, Yannick has… Read More
The post The art of the voice over: Meet the AFTRS team who bring scripts and dreams to life by Sarah Patterson appeared first on Radio Today. […]

AU & NZ

ACE Radio Network appoints Chief Commercial Officer

The ACE Radio Network has appointed Jim Glennon as its Chief Commercial Officer.
With an extensive background in commercial strategy and media leadership, Glennon will…
The post ACE Radio Network appoints Chief Commercial Officer by RadioToday Network appeared first on Radio Today. […]

US

Mason’s Observations On SZA, The Marias & Goo Goo Dolls

Welcome to 2025’s first edition of Mason’s Observations, a weekly highlighting of the biggest songs blowing up now, as tabulated from multiple streaming charts, radio airplay and audience reaction via requests on the LIVE, nationally syndicated Liveline Hit Radio night show. Without opinions and claims to be genius, we are able to detect future hits early, standout golds and recurrents, and spot the titles that record labels are hyping up to high positions on the charts with no audience support.  […]